Jack Hopper and the Collector

Jack was in the back corner of the Show Low Cafe with a black coffee and a view of the door when Daisy came in with a stranger.

Daisy let him talk.

His name was Stefan Wehnau. Realtor. Three years helping the Arts Alliance of the White Mountains become something worth having. Right now he was pushing a capital campaign for a new addition to the building. To raise the profile he’d arranged a regional exhibition in Flagstaff. Charter freight out of Show Low Regional. Everything locked down and buttoned up.

That morning the Flagstaff gallery had opened the crates.

Empty frames. Packing material. Fourteen pieces of original art gone without a trace.

“How many local artists?” Jack said.

“Six. One of them is Mae Solis.” Stefan put his hands in his pockets. “She’s seventy-two. Spent two years on the centerpiece. Finished it from a hospital chair this spring.” He paused. “It’s everything she had.”

Jack set down his coffee. Left two dollars on the table.

“Tell me about the route,” he said.


The Arts Alliance building sat off Penrod Road, one mile from the airport fence. Circular, low, teal-trimmed, with a mural of red poppies spread across the outside wall big enough to catch your eye from the road. Wide windows ran the length of the building.

Jack walked the service entrance first. Concrete pad, a roll-up door, a security light angled away from where it should have been pointing.

“Transport company’s clean.”

He turned. A woman stood at the corner of the building, badge on her hip and a notepad she was already writing in. Detective Reyes, Show Low Police Department. Sharp eyes. The look of someone who didn’t appreciate being the second call.

“Jack Hopper,” Jack said.

“I know.” She looked at the dock. “Three employees. All on camera start to finish. Crates left here at seven-forty. Charter terminal by eight-ten. Airborne by eight-fifty. Flagstaff by ten-fifteen.” She let that land. “Seals intact the whole way.”

“So the switch happened between the dock and the terminal.”

“Twenty-minute window,” Reyes said. “Tire tracks on the shoulder at the quarter-mile mark on Penrod Road. Ground was soft enough Tuesday morning to hold the impressions.”

Daisy was looking at the tree line beyond the road. “There were feathers too. Right at the edge of the tracks.”

Reyes glanced at her. “I was getting to that.”

“Raven feathers,” Daisy said.

Jack looked at both of them. Said nothing.


Stefan spread the manifest on the front counter. Fourteen works. The largest was Mae Solis’s panel piece, Rim Country After Rain. Insurance had valued it at projected market. Which meant low. Mae Solis wasn’t in any database insurance adjusters used.

“She won’t be covered,” Stefan said. “To an actuary she’s nobody. To this town she’s the reason half the kids on the east side know what a paintbrush is.”

Jack looked out through the curved windows at the airport fence line sitting above the scrub. A charter plane on the far apron caught the morning sun.

“Who knew the schedule?”

“Me. The transport company. The Flagstaff gallery.” Stefan hesitated. “And I mentioned it at the board meeting two weeks ago. We had a reception that night. Twenty, thirty people through.”

Jack looked at Reyes. She was already writing.


He drove out to the quarter-mile mark and got out in the heat.

The shoulder told the story. Wide-body van, sitting heavy. Thirty yards south he found the jack stand marks, spaced to the inch. Someone had measured this in advance. On foot. Probably on a quiet afternoon when the road looked like nothing. They’d pulled a second vehicle alongside, swapped fourteen crates in the gap between cameras, and gone out a dirt access road to the highway half a mile east.

That wasn’t opportunism. That was someone who planned the way other people did their taxes. Methodically. No sentiment. Well ahead of the deadline. He didn’t like that kind. They didn’t make mistakes twice.

He called Daisy from the truck.

“I need the reception sign-in from two weeks ago.”

“Already have it,” she said. “And there’s something else. Charter registry out of Show Low Regional. Private aircraft out of Payson. In and out twice a month. Registered to an acquisitions company.” A pause. “Name on the registration is Corvin. Last name only. Flagstaff address that goes to a mail drop.”

Jack thought about Vance Eller in the alley behind the Bison Bar. Linen jacket. Shell company. Same type of careful.

“He’s been flying in to look at the work for months,” Jack said. “The reception was the night he confirmed the date.”

Daisy went quiet. Then: “Jack. Mae Solis was at that reception.”

Jack put the truck in drive.


It took two days to find Corvin.

Short-term rental on the south side of Pinetop, backing up to the National Forest. Clean place, well-maintained, nothing that advertised itself. Gray Land Cruiser in the drive.

Jack watched from the tree line for most of a morning.

Just before eleven a badger came out the side door. Compact, thick through the shoulders, silver-streaked fur, a good watch, clothes that fit like they’d been made for him. He stood in the side yard with a coffee and his phone. Jack could see the screen from the trees.

It was Mae Solis’s painting.

He was studying it. Not like a buyer. Like he was trying to understand how it worked.

Then he looked up at the tree line.

“You’ve been out there a while,” Corvin said.

“Long enough,” Jack said, stepping out.

Corvin didn’t move. Just looked at Jack the way you look at something you’ve been expecting. “I thought you’d come sooner.”

“Had some reading to do.”

“Of course.” He tilted his head. “You know you can’t prove anything. Crates left here sealed. Arrived in Flagstaff sealed. Transport’s clean. Charter’s clean.” He almost smiled. “Everything is very clean.”

“Except three raven feathers on Penrod Road.”

Something moved behind his eyes. Gone fast.

“Ravens are everywhere up here.”

“Three of yours.”

Corvin set his coffee on the railing. “I’m an acquisitions consultant. I attend art events. I fly regional airports. Nothing you can take to a courtroom.”

“I don’t do courtrooms. Where’s Mae Solis’s painting.”

“I don’t know what you mean.”

“Seventy-two years old. Finished it from a hospital chair. You looked her in the eye at that reception. And you’ve been looking at it on your phone all morning.”

Corvin’s expression settled. Went hard. That was all the answer he gave.

Corvin came off the railing fast. Low and hard, the way badgers do, all torso and grip. Jack let him have the first move. See what the plan looked like up close.

Then he broke it.

They hit the yard together. Corvin worked for position and almost found it. Jack got a forearm across his chest and walked him back into the side of the Land Cruiser.

A sprinkler head kicked on between them and hit both of them in the face. Cold. Direct.

They kept going.

Corvin slipped first. Just a half step, but it cost him. Jack turned him and drove him into a patio chair that folded wrong and went over with both of them.

They came up wet and slower.

That was enough.

Jack put him against the fender and kept him there until the fight left him.

Corvin slid down into the mud with his back against the tire, watch face-down, breathing hard.

The sprinkler kept running.

Two ravens dropped out of the ponderosas and landed on the roof. They looked down at the yard, at the water, at Corvin in the mud, at Jack standing over him, and decided this was not their problem.

Jack held his eyes. Looking for the lie. Didn’t find one. “Who’s your buyer.”

Corvin looked at the sky. “Someone who won’t be happy about this.”

“Name.”

One of the ravens shifted on the roof.

“Harlan,” Corvin said. Not a revelation. More like setting something heavy down. “That’s the only name I’ve ever had. You get a call. An account number. You deliver. I’ve never met him. Nobody has. You just get the calls and after a while you stop asking where they come from.”

Jack stepped back.

Corvin straightened his collar. “County Road 3140,” he said. “Blue door. Third row.” He took a second to get his watch out of the mud.


The storage unit was where he said it would be. Jack called Reyes and met her there with Stefan.

The blue door went up on fourteen crates. Stacked, padded, seals untouched.

Stefan stood there a long moment. Then he turned away and called the Alliance director and his voice when he spoke wasn’t quite steady.

Detective Reyes looked at the crates. At Jack. “Anything else?”

“A name. One I’ve been hearing.”

She wrote it down. Stared at it. “Harlan. That’s thin.”

“More than I had Monday.”

She flipped the notebook shut. “You know this is a police matter.”

“I know.”

“And you’ll stay out of it.”

Jack said nothing.

Reyes looked at him a moment. “Right,” she said, and went to make her calls.


Mae Solis came to the Alliance the next morning. Jack hadn’t planned to be there. He was returning a parking lanyard he’d borrowed from Stefan and had never returned.

He ended up staying longer than he meant to.

Mae was small and moved carefully, the way people do when they’ve learned not to rush. She stood in front of Rim Country After Rain without touching it. The piece was large and full of color. Deep greens and the gray-blue of the sky right before the rain breaks over the Rim. The kind of painting where you feel the weather standing in a dry room.

Jack watched from the back, near the door.

Stefan appeared beside him, quiet for once. “She doesn’t know you were involved.”

“Good,” Jack said.

He left before she turned around.


That afternoon Daisy was outside the Bagel Box with two coffees. She pushed one across when he sat down.

“Corvin?” she said.

“Reyes has him.”

“The work?”

“Back at the Arts Alliance.”

Daisy held her cup with both hands. Down the road the airport sat quiet in the afternoon heat. A small charter lifted off the far runway and banked south, catching the sun as it climbed.

“Harlan keeps sending people,” she said.

“Yeah.”

“Every time it’s more organized. More patient.” She watched the plane until it cleared the ridge. “What does that tell you?”

Jack drank his coffee. Thought about Corvin in the side yard, staring at that painting like he couldn’t stop.

“It tells me he’s been watching this town a while,” Jack said. “And he doesn’t like what keeps happening to the people he sends.”

Daisy went quiet. The sage out front moved in a small dry wind. Across the lot a crow was arguing with a trash can and winning.

“You should go see Mae’s piece,” Daisy said. “Before it ships again.”

Jack drank his coffee.

“Maybe,” he said.

He wouldn’t. But he’d think about it. And the thinking felt like something close to enough.


Show Low stays quiet most nights.

Not all of them.

Jonathan Austen

I write short fiction about the moments that change us. Grief. Hope. The absurdities of everyday life.

https://jonathanausten.com
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