More Than Your Mistakes

It was a cold January morning when I stumbled across the box. The attic was freezing, my breath visible in the dim light from the single bare bulb overhead. I was up there searching for an old lamp my wife swore we still had, though I wasn’t convinced. Half-heartedly, I shuffled through bins and stacks of forgotten things, my fingers already numb.

Then I saw it—a small, plain box tucked into the corner, the brittle tape curling at the edges like it had been waiting for years to be found. I didn’t recognize it at first, but something about its presence felt heavy. Familiar. Like it had a story to tell.

Inside were notebooks, loose papers, and, nestled on top, a golden envelope. My name was written on the front in cursive, the loops and swirls unmistakably my mother’s. I froze. Her voice came rushing back, unbidden, and not gently. She was telling me to call more often, to eat better, to stop working so damn hard. Her greatest hits, like an old record I couldn’t stop replaying.

She’d been gone for twelve years. And yet, there she was, alive again in the tilt of each letter.

I opened the envelope slowly, careful not to tear it, as if the fragile paper might crumble like she had. Inside was a single folded page.

“To my miracle.”

I almost laughed. Miracle? That didn’t make sense. She’d seen me at my worst—my selfish years, the bridges I’d burned, the promises I never kept. If she could see me now, standing in this attic with a box full of her words and nothing to show for them, she wouldn’t call me a miracle. She’d probably just shake her head and ask why the faucet in the kitchen was still dripping after two months of me saying I’d fix it.

Still, I read on.

“I don’t know when you’ll find this, but I hope it’s when you need it most—when life feels heavy, and you can’t see your own worth. I’ve made my share of mistakes, said things I wish I could take back. But you? You’re not one of them. You’ve always been more than your stumbles, more than your mistakes. You’re my miracle, and no matter what you believe about yourself, the world is better because you’re in it.”

The words sat with me like a challenge. My miracle? Hardly. My wife would’ve backed me up on that—she’s the one who sent me to the attic, after all, probably hoping I’d be useful for once. And honestly, it wasn’t always what my mother had said either. Once, in the middle of an argument, she told me her life was better without me in it. That’s the version of her voice I’d carried with me for years—not this kinder, gentler one scrawled on paper.

I shoved the letter back into the envelope and put it on the dresser in our bedroom, almost resentfully. It didn’t fix anything. It didn’t even feel real, like my mother’s voice wasn’t quite hers anymore, just some ghost of sentimentality rising out of paper.

Downstairs, I found the kitchen in its usual state of chaos: an empty coffee pot, dishes I hadn’t loaded into the dishwasher, and my wife’s planner open on the counter. A planner—like, an actual physical one with pen scribbles and little tabs. Who even uses those anymore? But that was my wife—she said it kept her grounded. I used to joke that if the house ever caught fire, she’d save it before she saved me. And honestly? She probably would. Her day was already packed. Meetings. A presentation. Dinner with friends.

And what was I doing today? Work, probably. Just another day of writing code and pretending to care about things I didn’t.

I stared at the empty coffee pot for a moment, then sighed and started a fresh brew. While it dripped, I pulled out a skillet, rummaging for eggs and bread. My mother’s voice rang in my head again, uninvited: “You’re more than your mistakes.”

The eggs were overdone. The toast was burnt. But when my wife came downstairs and saw me standing there, she paused, confused.

“What’s this?” she asked cautiously, eyeing the plates on the table.

“Breakfast,” I said. “For you.”

She stared at me, as if I’d just told her I’d taken up ballet. “Why?”

I shrugged, shuffling awkwardly. “I don’t know. I thought you’d like it.”

She sat down, still suspicious, and took a bite of the toast. “It’s burnt,” she said, but she smiled. And then, as if catching herself, she added, “But thanks. I appreciate it.”

Her smile lingered in my mind longer than I expected. I didn’t feel like a miracle, but I also didn’t feel like a failure in that moment. For once, I felt… useful.

The rest of the day passed quietly. I loaded the dishwasher. I called my father. When my wife came home from dinner, she kissed me on the cheek, lingering for just a second longer than usual.

The letter stayed on my dresser for days. I didn’t touch it, but its presence was enough to keep nudging at me. Small things—like putting my phone down during dinner or fixing the faucet—started to feel important. Not monumental, not world-changing, but like steps in the right direction.

Maybe I wasn’t a miracle yet. Hell, I didn’t feel like one. Not with a lifetime of missteps and the weight of all the ways I’d fallen short still hanging in the air. But something had shifted in those days since I found the letter. The faucet wasn’t dripping anymore. My phone stayed on the counter during dinner. And last night, my wife had smiled at me in a way that felt…different. Softer, maybe. Hopeful.

It wasn’t earth-shattering. There was no applause, no big revelation. Just small, quiet moments that might’ve gone unnoticed if I hadn’t started paying attention. And maybe that was the miracle—not some grand transformation, but the choice to lean into the weight of the world instead of letting it crush me.

As I stood in the kitchen that night, listening to the hum of the dishwasher and the soft creak of the floorboards upstairs, I thought about the letter again. I wasn’t sure I believed every word my mother had written, but for the first time in a long time, I wanted to.

Maybe being a miracle wasn’t about some cosmic destiny. Maybe it was about showing up, in the small ways, over and over again. Especially when it was hard.

And for now, that felt like enough. Not perfect, not finished. But enough.

Jonathan Austen

I work as a professional sports photographer, primarily covering the Arizona White Mountains area and beyond. I've been fortunate to have my work featured in newspapers and magazines across the state, extending even to Wyoming. Moreover, I've had the privilege of seeing my photographs showcased on billboards and banners for the National High School Rodeo Finals.

https://jonathanausten.com
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